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Ontological Chance

“But to achieve the marvelous, it is precisely the unthinkable that must be thought.”

Tom Robbins

 

For Aristotle, the ontological is what defines the macro-approach of the human being.  For Heidegger, the Aristotelian context is expanded to include the multiple facets of a human being.

In quantum mechanics, the universe is designed out of necessity.  A necessity.  Every necessity that comes out of existence is in a completely stochastic context.  And it is precisely within these infinite possibilities that creativity is necessary.

The first doubt that creativity addresses is: is this primordial need really without cause?  And this doubt is even more complex because it goes beyond the dichotomy:  matter, the original particles, completely escape linear causality.

It is simply to bring order to the henhouse that the concept of ontological chance is postulated.  Where the endless probabilities of manifestations are bundled; contextualized in interrelationships.  The point where creativity is tamed, and spontaneity is ignored.

In the conception of the organizing principle, we have chosen a path that leads to dichotomy, which leads to Consensus.  Then we give up the interrelationships of infinite possibilities that creativity provides.

From then on, we are organic computers with intelligence artificialized by countless zeros and ones.  So many that we confuse the interrelationships of the dichotomous curse with complexity.

What threatens us is not artificial intelligence, but the artificiality of our intelligence.

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